These improvements include fitting whole geometric shapes, cleaning up corners, tangent matching, curve fairing, and many others. We developed the Deep Learning models for this product fully in-house, and they are trained on our own proprietary dataset.īut there are a lot of other things that we do better to clean up and improve the output of the AI vectorizer. It is able to tease out details that traditional methods miss, and it makes sensible guesses when the pixel data is ambiguous. We've been working in this space for 15 years and adding AI has been a game changer. If I had to pick one thing, it would be the AI. You can see that, using this technique, you can create simple paintings by hand, and then manipulate them as vectors to create more complicated images.What makes Vectorizer.AI better than the competition? In the image below you can see that I changed the color of each layer, and then separated them. You can adjust the size, change the colors of each layer, remove layers, etc. Now you can really play around with your image. This leaves me with a nice, clean image to work with: I just unselect all items with the background color To remove the background of the image, I found it easiest to use the Layers window. Once your image is on your board, select Edit Document. Open Affinity Designer, create a new document, and drag your InkScape file on to the design board. You now have a vectorized water color image! Let’s play around with it! But even for more complex works, it keeps the contrast relatively accurate. For simple images, I never end up with this many layers. I like to keep the number of scans at 20. Check Smooth, Stack scans, and Remove Background. You can play around with the Trace Bitmap settings, but to pull all the contrast out of your element you are going to need to select the following settings: Since we are dealing with watercolor images, I am going to assume there is more than one shade of color in your image. Select the image, and then select Path -> Trace Bitmap. Move the image you will be focusing on to the art-board. It is best to work on one image at a time. You can now see all of your images ready for manipulation. I keep the new file settings at their default: You can keep multiple images on your board, but you will only be manipulating them one at a time. Select File -> Import from the main menu. Nice! Now we have our image(s) ready to go! This will allow you to save these images to a chosen folder. Once you have them as you like, make sure your slice(s) are checked in the Slice viewer and select Export. You can see that I sliced 4 images separately (do not worry about overlap). Here you can choose the Slice Tool to select the images you want to work with. I have my new file setting set as you see below:Ĭlick on the Export Persona icon (boxed in red in the image below). In Affinity Designer, Select File -> New. If you scanned your image in, you may have been able to cut out the figure at that time. The goal now is to get the image(s) you want out of the full image so that it is easer to work with in InkScape. I just emailed this to myself in order to import on my computer (I don’t have an iPhone, but all my other devices are Apple products. If this was a more complicated image, or you have terrible lighting, scanning the image would work best. You can see that I doodled 4 watercolor images on some watercolor paper, held it up so the lighting wasn’t wonky, and snapped a photo with my smartphone. To get started, take a photo or scan of the image(s) you want to work with.
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